3rd October - 27th October 2019
THE CAMBRIDGE SHOW
I have been invited to talk about my work on Thursday 17th October at 115pm.
For more information click here.
Opening Friday 4th October 2019:
Opening event and performances. Join us to celebrate the opening of ‘The Cambridge Show’ on Friday 4th October from 6pm, with performances by artists Paul Kindersley and Caroline Wendling, and DJ set by Hattie Hammans.
Tickets must be booked:
This new exhibition brings together work by twenty-two artists who are based in and around Cambridge. Showcasing a cross-section of the artistic community operating in the local area, from photography to performance, the exhibition explores these artists’ diverse practices, and some of the themes and issues that they are engaging with right now.
There are mid-career artists amongst those who are more established and there is a real range on display – from paintings by Claerwen James and Alexandra Baraitser to performance works by Paul Kindersley, Harold Offeh and Caroline Wendling. It is a celebration of artists in and around Cambridge.
The artists were selected from an open-call to which 460 artists put forward work. The selection panel was chaired by Andrew Nairne, Director of Kettle’s Yard, and included Amy Botfield, Arts Council England; Guy Haywood, Curator, Exhibitions and Collection, Kettle’s Yard; Kettle’s Yard committee member Sabine Jaccaud, AstraZeneca; Issam Kourbaj, artist; and Harriet Loffler, Curator, New Hall Art Collection, Murray Edwards College.
Kettle’s Yard, Castle Street, Cambridge CB3 OAQ
tel. 01223 748100
Open Tuesday - Sunday 11am - 5pm
I am pleased to announce that I will be showing at Kettle’s Yard next month. The exhibition is showcasing a cross-section of work from across Cambridge ranging from performance to photography.
I will be in the gallery talking about my work on Thursday 17th October at 1.15pm. Just turn up!
22 artists are exhibited in this newly referbished building.
PERMEABLE SPACES 8th August - 13th September
Open Mon-Fri 9am-5pm
CLOSING PV Thursday 12th September 6-7.30pm
Alexandra Baraitser / Stephanie KIngston / Louise Butler Adams, Tooney Phillips, Amanda Lwin, Clio Lloyd-Jacob, Andrew James, Melissa Murray
Curated by Clio Lloyd-Jacob
This exhibition explores how physical spaces shape our perceptions and behaviour and how in return we shape them.
The Alison Richard Building operates simultaneously as an interior and an exterior space. Nicholas Hare’s atrium, with a four-storey staircase running though it, creates large, open landings. These provide perch-like communication spaces outside the departments, yet within the building.
Works in this exhibition reflect on, or highlight through contrast, spaces where multi stimuli vie for attention or coexist in precarious balance. To what extent do we internalise objects and walls as boundaries? How do they structure narritives of our thought? How does prevalence of reflective, glass and mnetal surfaces in contemporary environments affect our perception of space abd of ourselves? What, in our surroundings, reflects our influence, and how do we cope when there seems to be nothing?
The viewer is encouraged to imaginatively inhabit these artworks, constructing their own narratives and responses. We are relating this artwork to a broader context, with live art performance and a cross-disciplinary discussion on various aspects of how societies create boundaries.
This Instead of That was at ARTHOUSE1 in March 2019.
This Instead of That explores how artists respond to each other’s work and derive energy from their peers. An initial version of the exhibition featuring four artists showed at Lewisham Art House, 2018. A larger version of the show, co-curated by myself and Trevor Burgess showed at Arthouse1, London from 7 to 30 March 2019. I have been in a dialogue with Trevor Burgess for the last two years - and for this period we have been reflecting on each other’s work, selecting each other's paintings and making new paintings inspired by the process. We aim to tour this project to regional spaces.
Two of the artists in the show, Meg Lipke and Hermione Allsopp have collaborated to produce one sculpture for the gallery in Bermondsey. Although they live in different countries the artists are close friends and have worked together before. Allsopp writes about the experience ‘In making this work I have learnt and gained by this communal activity’.
This Instead of That
ARTHOUSE1, 45 Grange Road, Bermondsey, London SE1 3BH.
Read my blog about how the show came about:
PV: Wednesday 6 March 2019 6.30 - 8.30pm
Ending Party Sat 31st March 4pm
Hermione Allsopp / Meg Lipke
Alexandra Baraitser / Trevor Burgess
Nelson Diplexcito / George Wills
Catherine Ferguson / Tim Renshaw
Olha Pryymak / Julie Fountain
This Instead of That is a show about artistic exchange - what happens to both representation and reality when artists get together to re-evaluate their ideas and influences through dialogue with one another. It looks at the processes and practices of artistic exchange, and focuses on the interchanges that are established when similar passions collide.
The mutual sharing of ideas about a portfolio of work that is not your own, is deeply rooted in fine art practice. Essentially this quid pro quo movement of critical exchange has been around for centuries. For example, Matisse immersed himself in the work of others, quoting imagery from his friends and contemporaries, even going into debt to buy work from those painters he admired, thereby sustaining an ongoing dialogue with their work. Discussion about the work of colleagues and contemporaries remains a central strand in fine art training, and is often sustained beyond the confines of art school through informal networks, collaborations, social art practices, shared studios, and other innovative modes of exchange.
For the creation of this exhibition, the artists involved paired up, presenting each other with ideas or questions about the other’s work, the response to which was then commissioned for the exhibition at Lewisham Arthouse:
It is easy, in a world so dominated by the visual, to customize new ideas to fit what we already know. However, like Matisse, the contemporary artist will make a conversion of an idea that has the transformative effect of changing its core meaning. The artists here have shown how embracing new ideas from other artists about their own work can divert work in a new direction, transforming artistic development and allowing for extended collective discussion and understanding.
There is a catalogue available for This Instead of That, click here to download the PDF.
Read the review of my show Silent Painting at Tripp Gallery here https://www.theartsdesk.com/visual-arts/theres-poetry-painting-gives-endless-possibilities